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| Political change for the good of civilisation, skinny Prosecco, home-baked bread, cookies and parmesan biscuits - also good for civilisation! |
In the past fortnight there has been “too much weather” – bright blue skies, dull dark skies, gales, rain bursts, floods, mud pools, mud slides and snow. “It must be beautiful this time of year – all that snow!” So, I here offer some images of the woods and meadow near me, blanketed in snow. I have posted before about Robert Frost’s famous poem about stopping by woods on a snowy evening. This year, during Lockdown 3.0, there has been plenty of time to stop and stare (copyright W H Davies) at the lighting effects on the snowy crystals on the bare branches
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| Photos by Emily |
I also love a quiet place
On one walk a miracle occurred: across a pond, above some reeds, a blue streak caught our eyes. We stood still, stared and waited. And there it was – one of my life ambitions fulfilled – a kingfisher in the wild. And, yes, it fished. And flapped. And bobbed its head. And perched. And stood. And streaked down into the pond again and back again to settle on its vantage point. It kingfished. And haunted. The last verb is inspired by Supertramp poet, W H Davies, who I’ve mentioned and quoted before. His poem below about a kingfisher is one I learned in primary school and later used as a teacher with Year 7 classes because it efficiently illustrated the use of archaic vocabulary and syntax, repetition, half rhyme, alliteration, assonance, simile, metaphor, personification, onomatopoeia – and even more sophisticated poetic techniques – all in one lovely-sounding 18-line package.
The Kingfisher
by W H Davies
It was the Rainbow gave thee birth,
And left thee all her lovely hues;
And, as her mother’s name was Tears,
So runs it in my blood to choose
For haunts the lonely pools, and keep
In company with trees that weep.
Go you and, with such glorious hues,
Live with proud peacocks in green parks;
On lawns as smooth as shining glass,
Let every feather show its marks;
Get thee on boughs and clap thy wings
Before the windows of proud kings.
Nay, lovely Bird, thou art not vain;
Thou hast no proud, ambitious mind;
I also love a quiet place
That’s green, away from all mankind;
A lonely pool, and let a tree
Sigh with her bosom over me.
What I do is me: for that I came
On the day I saw the kingfisher I also thought of one of my obsessions – one of the most brilliant poets in the English language: a poet who led a fascinating life and wrought poems like a Christ-loving-pagan blacksmith hammering golden swords whilst wrestling with fiery demons in the tattered and billowing cloud of God’s abundant, undulating duvet…. Yes, he’s a hyperbolic wordsmith, that Gerard Manley Hopkins – what a guy! Any road up, he wrote a sonnet about all things expressing their own selves, being themselves, expressing themselves (What I do is me: for that I came) and although the second half of the sonnet gets profoundly religious, he starts with three ordinary sounds: a bell, a string on a musical instrument and a stone dropped down a well; as well as two startling sights: the flaming glimpse of a dragonfly and the fiery lick of a kingfisher.
Kingfisher, Dragonfly, Stone, String, Bell
As Kingfishers Catch Fire
by Gerard Manley Hopkins
As kingfishers catch fire, dragonflies draw flame;
As tumbled over rim in roundy wells
Stones ring; like each tucked string tells, each hung bell's
Bow swung finds tongue to fling out broad its name;
Each mortal thing does one thing and the same….
Each mortal thing does one thing and the same. Snow falls. Kingfishers fish. Poets distil. What I do is me: for that I came…. We are, as people say, human beings not human doings…. So stopping, standing and staring at snow on the bare branches of trees, or watching a kingfisher haunting a lonely pool, or pausing, breathing and resting – that kind of time-wasting is not time wasted. The time you enjoy wasting is not wasted time.
